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clip & save. Max Weber Noun 1. Max Weber - United States abstract painter (born in Russia) (1881-1961)Weber2. Max Weber - German sociologist and pioneer of the analytic method in sociology (1864-1920)Weber (Russian-born American, 1881-1961) Rush Hour, New York New York, state, United StatesNew York,Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of ,1915. Oil on canvas; 36 1/4" x 30 1/4". the artist Max Weber (1881-1961) was born in Bialystock, Russia, and came tolive in Brooklyn, N.Y., when he was 11 years old. His parents wereOrthodox Jews who brought their family to America to escape religiouspersecution The neutrality and factual accuracy of this article are disputed.Please see the relevant discussion on the . . As a boy, Weber liked art and, when he was 16, he enrolledin an art school. This decision to become a professional artist upsethis parents who, like many immigrants, had difficulty understanding lifein their new country. Weber began his career as an art teacher and taught in Virginia andMinnesota before saving enough money to visit Europe for further study.He was 24 when he arrived in Paris. The money he had saved lasted forseven years, after which he had to return home. During his time in Paris, Weber came to know most of the artistsbelonging to the important group of modern artists known as The Schoolof Paris school of Paris.The center of international art until after World War II, Paris was a mecca for artists who flocked there to participate in the most advanced aesthetic currents of their time. . They included Pablo Picasso, Henri Matisse Noun 1. Henri Matisse - French painter and sculptor; leading figure of fauvism (1869-1954)Henri Emile Benoit Matisse, Matisse and MarieLaurencin Marie Laurencin (October 31, 1883 — June 8, 1956) was a French painter and engraver.Laurencin was born in Paris, where she was raised by her mother and lived out most of her life. . He also met American artists Alfred Maurer and John Marin John Marin (December 23, 1870 - October 2, 1953) born in Rutherford, New Jersey was an early American modernist artist. Known for his abstract landscapes and watercolors. Biography ,who were studying in Paris. On his return home in 1908, Weber discovered that New York had notbeen influenced at all by the modernist painters of Europe. He realizedthat New York was a perfect place for painting Cubist pictures, althoughhe had not painted in that style while in Europe. His New York subjectswere the new skyscrapers, together with mechanical objects such astrains, bridges and ships--all of which were clearly composed ofgeometric shapes This is a list of geometric shapes. Generally composed of straight line segmentspolygon concave polygon constructible polygon and forms. Although Weber continued to paint throughout his long life, some ofhis best work was done between 1910 and 1920, while he was interested inCubism cubism,art movement, primarily in painting, originating in Paris c.1907.Cubist TheoryCubism began as an intellectual revolt against the artistic expression of previous eras. . It was as if he understood that the city was undergoing a uniqueurban experience, It was full of vitality as a result of so many peoplehaving recently immigrated there. At the same time, American wealth and technology was makingpossible buildings that were larger and taller than anything ever seenbefore. In addition to what he could see on the streets, he discoveredsubjects in theater performances and athletic contests, all of whichdisplayed the same kinds of turbulent rhythms and actions. New York was also a natural place to apply ideas originated byFrench artists Henri Matisse and Marcel Duchamp, who were trying to giveobjects painted on flat canvas surfaces the feeling that they weremoving. While Matisse and Duchamp each did this in his own way, both menrepeated objects several times to make them appear as though they weremoving--as in motion photography. Weber had long recognized theimportance of photography for art, so it was natural that he shouldrecognize the importance of the new art of motion pictures and apply itin his paintings. This interest in motion led Weber and other artists to try torepresent the passage of time, which, at the time, was thought of as thefourth dimension. The three dimensions that had been used by artists forcenturies were length, breadth and depth. The fourth dimension wasthought to present a truer vision of reality through the use of geometrythan other kinds of art and the more familiar types of Cubism. Max Weber was one of the first modern American painters and, for anumber of years, he found Cubism to be a perfect way to express himself.Nevertheless, after he was about 40--an age when many artists becomeless creative--he began to experiment with other artistic ideas. Hecontinued searching for new forms of expression throughout the rest ofhis life. this painting New York was unlike any other city in the world about 100 yearsago. Not until many years later did other large cities line theirstreets with such tall buildings, and even today few cities have nearlyas many of them crowded in so small an area. On his return home from Europe, Max Weber soon recognized that thetall, rectangular buildings lining the canyon-like streets were naturalsubjects for Cubist art. In spite of the fact that, while in Europe,Weber had not painted as a Cubist, he now began to do so and continuedto paint in that style for about 10 years. It was during this periodthat this picture was painted. While large cities have always been busy, crowded places, New Yorkwas more so because of all the thousands of people who worked in theclustered skyscraper buildings. In addition, they all started work atabout the same time and went home at about the same time, which resultedin enormous, hurrying crowds being on the streets at those times of day. Rush hours almost certainly occurred in other large cities at thetime, but they would not have been nearly as dramatic as those in NewYork, especially in Manhattan, where the business district was quitesmall. In trying to communicate a feeling of the city, Weber not onlyrecognized the Cubist shapes of the buildings, he realized that rashhour was a perfect opportunity to include the idea of feverish motionthat later Cubist artists were trying to portray. In this picture, fragments of buildings are shown together withrectangular, window-like shapes, while sharply pointed triangles suggestthe rays that crown the Statue of Liberty Statue of Libertygreat symbolic structure in New York harbor. [Am. Hist.: Jameson, 284]See : AmericaStatue of Libertyperhaps the most famous monument to independence. [Am. Hist.: Jameson, 284]See : Freedom . The sense of wild activitypresent during rash hour is captured by the repetition of geometricshapes, and by the way the whole picture seems to be spinning around. The sensation conveyed by Weber's choice of shapes is verymuch like that which is produced by the glimpses a tired passenger mighthave through the window of a speeding train. The choice of drab colorsmight have been made to match the dawn and dusk periods when workerswere moving in and out of the city, although Weber may have chosen thecolors because they matched the choices of early Cubist artists. Rush Hour, New York is one of Max Weber's best-known works.Unlike numbers of other artists, he was continually experimenting. Theresult was that his style--even during his Cubist period--was constantlychanging. With practice, however, students can learn to recognizeexamples of his art when they see them.